What to read this weekend: Rural horror infused with Chinese mythology, and the lush alien world of Convert


New releases in fiction, nonfiction and comics that caught our attention.

The cover for the novel Sacrificial Animals, featuring a bright red fox illustration against a black backgroundThe cover for the novel Sacrificial Animals, featuring a bright red fox illustration against a black background

There’s something about the idea of coming home and reawakening dormant familial trauma that just makes for great horror stories, and Sacrificial Animals is no exception. In the novel, brothers Nick and Joshua Morrow return to their family’s farm in Nebraska after many years estranged from their abusive father, reopening old wounds and allowing supernatural forces to take root. Sacrificial Animals bounces between “Then” and “Now” perspectives, painting a picture of the boys’ childhoods under the violent and racist man, and the gravity of returning once they learn he is dying.

The slow burn horror story weaves in Chinese mythology, using flowery language and a Cormac McCarthy-like lack of quotation marks (and McCarthy-like brutality) to really give it a folkloric feel. But do yourself a favor and skip the blurb if you plan on reading this one, as it betrays a bit too much about the direction the story will go.

The cover for the book Trash Talk, showing illustrations of different forms of garbage piled on top of EarthThe cover for the book Trash Talk, showing illustrations of different forms of garbage piled on top of Earth

Humanity’s trash problem is one so massive and complex it can be difficult to even comprehend, especially for those of us who are more or less removed from the reality of it. I mean, it feels like every other week I learn that an item I’ve long been told is recyclable is, in fact, not recyclable, and garbage is even piling up in space. Iris Gottlieb’s Trash Talk: An Eye-Opening Exploration of Our Planet’s Dirtiest Problem breaks the whole issue down, diving into the many facets of global trash production and management, and exploring how we got to where we are.

It’s filled with illustrations and insight to help contextualize a problem that, unfortunately, isn’t going away any time soon, and is a great read for anyone who wants to know more about what really happens to your garbage when you throw it “away.”

The cover for issue #1 of the comic Convert, showing a man wearing a space suit on the lower half of his body and holding a helmet and a large gun, standing in a field with colorful floraThe cover for issue #1 of the comic Convert, showing a man wearing a space suit on the lower half of his body and holding a helmet and a large gun, standing in a field with colorful flora

The first thing that popped into my mind when I saw the cover for issue #1 of Convert was Jeff VanderMeer’s Southern Reach Trilogy. A man in a space suit — with the helmet removed — stands in a field holding a huge gun, surrounded by strange flora that almost seems like it’s trying to consume him. The mental comparisons to the Area X of VanderMeer’s series only continued as I read through it, but a development its final few panels affirms that Convert has its own unique story to tell.

The first issue of the new science fiction/fantasy series from Image Comics was released this week, and visually, it’s stunning. In the opening pages, “Science Officer Orrin Kutela finds himself stranded on a distant planet, starving and haunted by the ghosts of his dead crew,” per the description. “On the verge of death, he makes an astonishing discovery.” Convert was written by John Arcudi, with art by Savannah Finley, colors by Miguel Co and lettering by Michael Heisler. The second issue drops September 25.

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